![]() So have plenty of fun photographing the fall colors. Now that you’ve finished this article, you’re ready to capture some beautiful autumn images. (I’d also encourage you to carry a second cover that wraps around your camera bag and keeps it dry). And bad weather can damage your camera, so make sure you carry a rain cover at all times. It’s easy to get lost in heavy fog or snow, so always carry a phone and tell someone where you’re going in advance. And fog pretty much always looks great, though if you want really powerful images, try to combine fog with repetition (such as lines of trees in a forest). Rain is a great way to add a melancholy mood, while snow can create uplifting vibes or a sadder, lonelier look (depending on how you approach and edit your photos). And test out different apertures to see whether the images look good as deep depth of field shots or shallow depth of field files.įor one, bad weather can add lots of atmosphere. Make sure that you carefully balance different colors and textures throughout the scene. In “chaos” shots, the goal is to think in terms of abstract geometry. And see if you can intersperse different colors throughout the frame – some reds here, some greens there. Try to carefully compose your shots so that all the elements fit together like a puzzle. Not always! If you can embrace the chaos, you can capture unique images that go beyond the standard fall shots. After all, chaos distracts the viewer and prevents them from looking toward the main subject, right? Many photographers spend long minutes working each scene so they can reduce the chaos. They often feature waving branches, fallen leaves, colorful shrubs…the list goes on.Īnd in photography, chaos is generally a bad thing. Aim to portray the chaosįall scenes tend to be pretty chaotic. For instance, if you want to enhance reds and oranges, you can use a high-temperature white balance preset to warm up the image! 7. You can actually use a warm or a cool white balance setting to add mood to your fall files. If you’re shooting in RAW, you can always adjust the white balance during post-processing without issue, but it saves time to get it right from the beginning.Īlso, note that you don’t always need to use the white balance to correct image color. Generally speaking, it’s a good idea to neutralize color casts, so it can be helpful to work with your camera’s white balance presets or even to set the white balance using a gray card. Successful neutralization helps the underlying colors shine through and ensures the photo more accurately represents its subject. But when you dial in the correct white balance, you neutralize (i.e., remove) this warm or cold result. Some light sources – such as the low sun – produce very warm, orangish light, while other light sources – such as artificial flash – produce very cold, bluish light. White balancing is the process of handling color casts in your images. See if you can deliberately create lens flare. ![]() Spend some time shooting away from the sun (so that you capture beautiful front-lit and side-lit subjects). So I’d encourage you to experiment with both methods. Reflections on wet and/or waxy leaves reduce color intensity, so by blocking this unwanted light from reaching your camera sensor, your fall photos will get a saturation boost. Polarizers go on the front of the lens and cut down on reflected light. If you want to capture rich, bold fall colors, then you should start by purchasing a polarizing filter. Use a polarizing filter to enhance colors Ready to become an autumn photography master? Then let’s dive right in! 1.
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